Pro Cycling on $10 a Day Book Review

Phil Gaimon’s book reviewed

Bill Carey 

New tell-alls are on the way from the ‘loyal lieutanant,’ big George Hincapie, and the ‘Postal Bus’ diarist Michael Barry. I am not sure if I will read them, but if I do, it will be against my better judgment, begrudgingly putting money in the pockets of liars and cheats, and guiltily rubbernecking away at the roadside wreck that was professional cycling in the era of omerta.

Standing in direct contrast to that is “Pro Cycling on $10 a Day,”  by Phil Gaimon, recently released by VeloPress.  ‘Phil the Thrill’ is about as subtle as a slap in the face, sporting a large tattoo of a bar of a soap with the word ‘CLEAN’ forever etched upon his skin. While he comes to recognize and admit late in the book a bit of a grey area in his feelings about dopers after training and becoming friendly with Tom Danielson, the majority of the book deals in black and whites, good and evil, friend and foe, with lines clearly demarcated by those who do and those who don’t.

There are heroes and villians, with Mancebo filling that role perfectly and providing the perfect nemesis for Gaimon to repeatedly bump up against, chase down, and eventually best.  It’s great to see good guys like David Guttenplan get some ink and recognition for all the blood, sweat, and tears given to make our beautiful sport something to be proud of for a change, and the book will certainly make you appreciate the sacrifices made to do something you love. It is a remarkable era where athletes such as Gaimon, Myerson, all the way up to Taylor Phinney and other professionals are exceedingly accessible via Twitter and other social media. Soap may cleanse, but sunlight is the best disinfectant and the level of transparency demonstrated by Gaimon, in this book as well as in blogs for the Tour of Cali, etc, is exactly what it will take to restore some faith that riders are truly racing clean. Phil Gaimon is also a surprisingly good writer (again, for me, standing in direct contrast with Michael Barry,) and I highly recommend the book, for what it represents, as well as for simply being a good read.

VeloPress has two other notable releases recently. “Land of Second Chances; The Impossible rise of Rwanda’s Cycling Team,” is an extremely compelling story told by Tim Lewis, who has written for GQ and Esquire, among others. His style is very much that of a reporter, and at times the story gets a little bogged down, but is still a very worthwhile read. Missing the mark slightly for me was “Reading the Race; Bike Racing from Inside the Peloton,” by Jamie Smith with Chris Horner. Having Horner’s name on the cover is a tad disingenuous as his contributions are simply anecdotes to illustrate the lessons being put forth by Jamie Smith. Some of these are somewhat valuable and certainly will be of some interest to anyone interested in racing, but they are fairly basic, and don’t really differentiate themselves from information easily garnered from any number of internet sites.

Andy Shen

It’s incredibly maddening that dopers steal careers and make millions, then write books about their illegitimate lives and get even richer. On principle alone we should bootleg their books (or better yet, ignore them) and buy and read books by clean riders like Phil Gaimon. But the truth is you should buy and read Pro Cycling on $10 a Day because it’s a fucking awesome book about the love of bike racing.

PCOTAD is the unghostwritten autobiography of an immensely gifted cyclist who shows huge promise only to endlessly pay and repay his dues, seemingly never to score that big contract. Gaimon tells his tale with surprising frankness, naming names while detailing things like team managers’ sleazy negotiating tactics to teammates’ pre-race rituals (read: masturbation). He also reveals why you should never demand that he flush the toilet if you find yourself sharing a hotel room with him. Most of all it’s a hilarious and gripping account of the gypsy life of a domestic pro, driving long hours from race to race, hoping to win some cash to buy gas to the next race.

In Gaimon’s case those long drives sometimes ended on Monday morning at a college exam. Maybe that’s why the book is so readable – he’s an intelligent guy who writes well, even if it’s often about his very crude sense of humor. More than anything it’s a testament to hard work and dedication, a man chasing his passion long past the point of reason and finally scoring the big break, a ride with Garmin.

Unrelated footnote: NYers will enjoy the book for cameos by the Sakonnet team, Matt Koschara, Eric Kyoo Min, and Basil Montsopoulos.

Dan Schmalz

If you wanted to count all of the compelling books written about the domestic pro racing scene you might only need one finger (which finger you choose is up to you), because right now Phil Gaimon’s book “Pro Cycling on $10 a Day” is the book you want to read. “Phil the Thrill” (a name coined in irony) tells the story of his transition from fat kid to college student to domestic pro in a manner that is witty, real and blessed with perspective—something that most professional athletes possess in very small quantities.

This book reads like a conversation with a good friend at a bar on dollar pitcher night. It’s confessional, confrontational and sometimes controversial. If bikes had a locker room, the stories from “Pro Cycling on $10 a Day” would be shared there. Phil shares the zany stories from the road with teammates, the frustrations of being on a smaller team and racing with the more established teams, the desperate negotiations with team managers, the heroes and villains of the road (spoiler alert, Phil does not like Mancebo) and the realty of living as poorly as a Mormon on a mission—pros may ride their bikes faster but drive a whole lot more.

There are a few pros you want to send to races just to hear what they’ll say when they get back. George Hincapie, for example, has never been one of those people, as he’s just up-chucked cliches and vomited sponsor’s names, Gaimon however is the rare racer who can occasionally put his head up and survey just how screwy his world has become, you know, like a person would. 

Gaimon has since moved on to the land of the big time and is currently riding for Garmin-Sharp, so maybe there’s a sequel in the works—I can’t wait to see what happens to Mancebo.

48 Comments

Euro Pro

Doping has been around since the 60s in sport and even earlier, it’s never going to go away! And there will always be complainers that this guy was doping and stole my medal and all this baloney! Nobody cares! Cycling is also based on tactics as well, it’s not just a sprint!

Paolo Clamp

i m sure the use of the word “zany” was being used ironically. at least that is the defense i use when i commit a cultural foible.

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Neu

“It’s incredibly maddening that dopers steal careers and make millions, then write books about their illegitimate lives and get even richer. On principle alone we should bootleg their books (or better yet, ignore them) and buy and read books by clean riders like Phil Gaimon.”

That’s the best thing I’ve read all day! (But its only 7:30am) I’m planning on getting a library card so I can catch up on the all the new books by dopers.

mikeweb

Great reviews! I’ll check his book out. I recently watched ‘Rising from the Ashes’, also about the Rwandan cycling team, and thought it was wonderful.

Enzo Skidmark

A couple of late nights and groggy mornings I can blame on this book. This book is well written and entertaining, probably even if you don’t know what it means to cross a break. His Twitter and Instagram feeds are just as worthwhile.

Aristotle

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How the fuck do you partner with yourself?

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有关于微电影制作和电影画面的处理,其实有六个很基础的要点:

1、 è°ƒåº¦æ‹æ‘„场面

2、通常在拍摄电影的场面是调度与绘画相仿,都是在画上呈现形与色上。由于和舞台剧传 ç»Ÿæœ‰ç»§æ‰¿å…³ç³»ï¼Œç”µå½±çš„场而调度也要根据剧情或据作构思作不固定的视觉设计。

3、 å‰æ™¯äººç‰©å½“做解释作用。至于后景,虽不及中景和前景重要,但上述原则也是同样 é€‚用的。

4、在电影里,通过把人们安排在不同的位置,我们就能窥见这 äº›äººåœ¨ç¤¾ä¼šæ–¹è€Œå’Œå¿ƒç†æ–¹è€Œçš„关系。在影片中,出于支配地位的角色差不多总是比别 äººå æ®è¾ƒå¤§çš„空间,除非是叙述主角失去权势或社会地位低微。在企业宣传片制作中,空间大小主要应由剧本、剧情规定,而不是服从实际生活。因此空间是交往的媒介

5、然而,企业广告片制作的镜头是短暂的,只存在于一个镜头之内。场而调度 è€…将画面内空间分割的方法作为一大手段,用空间分配的传统作法去规定、调整、再 è§„定人们的相互关系。当一种关系组成后,导演只须简单地调换取景位置就可以干下去。

其方法是利用各个角色之间的空间、形象的聚焦面、画而的重点区和演员与摄影机镜头之 é—´çš„方位来做文章。电影画而也是一种疆域。

6,结合相关景和物的搭配,影视制作公司充分发挥拍摄场地的优势,企业宣传片制作,做好拍摄机位的转换。

tiancheng6a

人们通常看到的企业广告片制作一般都有一定的时间限制如:60秒、 30秒、 15秒和5秒。为了在短短的几秒或几十秒中产生广告效果,广告片制作分以下八种常见的创意手法: 

第l种:象征比喻手法 

在广告片制作中,把所要表达的产品特点比喻成其他事物上类似的属性,传达某一具体的营销概念。像护肤品、洗发水等产品广告就经常用这种创意手法的,如某洗发水 å¹¿å‘Šç‰‡æ¯”喻用后发质效果好,就把头发比喻为“如丝般顺滑”,成功拨动消费者爱美的心理。 

第2种:轻松幽默手法 

为了拉近产品与消费者的距离,一些企业宣传片制作就采取轻松、亲切和幽默的形式来吸引消费者眼球。轻松、幽默的宣传片拍摄手法能不仅可以最大程度的吸引观众注意力,降低观众对广告的逆反心理,更能吸引观众对广告、产品和品牌形成独特的记忆。 

第3种:感性创意手法 

这需要结合广告产品的特点、功能和用途,把人心理上变化万千的感觉,加以提炼和概括, å½±è§†åˆ¶ä½œä»¥æ„Ÿæ€§çš„形式表现出来,引发观众产生心理共鸣。如“南方黑芝麻糊”çš„ å¹¿å‘Šç‰‡åˆ¶ä½œ 

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采用两个具有相同功能的不同物体的对比、比较方式,展示企业形象片中的产品或品牌优于竞争对手,让观众一目了然并信服。 

第5种:名星代言或权威效应

某些企业为求广告产品能一炮而红,不惜花费巨资请明星或某领域的专家、学者来代言宣传产品,证明 å¹¿å‘Šç‰‡ä¸­çš„产品优点、功能、作用,以期获得广大消费者或观众能迅速记住产品,并对产品产生信任度。 

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假设仅仅将产品简单地介绍给观众, å¹¿å‘Šç‰‡å°†å¾ˆéš¾å¸å¼•è§‚众的兴趣,因此,一些产品宣传片在创意时,采取令观众有身临其境的创作手法,增强广告片的感染力,企业宣传片制作,让观众感觉买到产品的同时也仿佛买到了乐趣,如:天翼4G è§†é¢‘制作。 

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tiancheng6a

拍摄企业宣传片是发展中的每个企业都不能缺少了,而对于专业企业宣传片制作公司的选择除了要注意普通的公司规模大小,设备是否专业,服务怎么样,创意是否新颖之外,建议企业在选择企业宣传片制作公司的时候,还可以跟随企业自身的意愿看企业宣传片制作公司是否能提供自己需要的风格,具体是怎么样的呢?跟随小编来详细的了解下吧。

 

一部好的企业宣传片都会有它不同的表现手法,不同的整体风格,在企业宣传片制作公司做企业宣传片时候,首先要保证的是符合企业自身的定位,根据企业自身情况量身打造适合企业的企业宣传片是最好的表现方式。有些企业宣传片制作公司只是擅长或者对其中一种企业宣传片制作风格有经验,这样是不行的。

 

一、大气磅礴风格

 

像规模宏大、实力雄厚的大型企业,企业宣传片制作,首先要保证整部企业专题片拍摄体现出企业的大气磅礴。这种规模大、实力强的企业无论是硬件还是软件方面,都是拥有较多的资源,可以通过这些资源拍摄制作出场景宏大、规模雄厚的风格。

 

二、现代科技感较强

 

对于科技含量较高要求的企业来说,具有现代化、科技感风格的企业宣传片制作可以更好地体现企业的优势。此类TVC拍摄案例整体节奏感较快,色调清晰明亮,常选用蓝色、金属色来体现浓厚的现代科技感;而背景音乐则欢快明朗,节奏感强烈,音效较多;在画面上,能体现行业尖端科技的素材往往会出现得较多。

 

三、唯美华丽

 

这种风格的公司宣传片拍摄作品往往运用在化妆品、装修设计、服装制造等企业。这类宣传片大量地运用了精致美丽的画面,插入浪漫优美的音乐,善于营造美好的氛围,实际上在企业宣传片制作中比较趋向于广告片,能给观众带来愉悦美好的视听享受。此类企业宣传片制作因为场景、道具等等拍摄环境需要精心的布置,往往拍摄费用较高。

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